Amel Moyersoen is an Algerian-Belgian visual artist, moving image art curator and researcher based in London, with a focus on diasporic histories of resistance and the inter-generational transmission of memory. Her work delves into archival practices within visual art, often exploring the intersection of personal and collective narratives. A graduate of the Other Cinemas film school, she is also affiliated with LUX Moving Image London and the SAFAR Futures Young Curators program. Her work often blends extensive research and moving image, creating evocative, memory-driven art forms. Her film 'afraid of losing the echos' (2023) has been shown in London and Brussels and was selected for the System D Festival 2023, and MOOOV Festival 2024.

afraid of losing the echos is an archive film and visual poem
calling to remember the histories and continued resistance against
police violence in Brussels, it is a testament to those who resist and persist.

Laith Elzubaidi is a British-Iraqi Comedy and Drama
Screenwriter based in London. He is also the founder
of the British-Arab Writers Group. He was selected
from 1400 applicants for the BBC Comedy Collective
Supercharged Bursary Scheme; winning 15k (including
a 5k development grant) and paid shadowing oppor-
tunities on BBC productions’ writers rooms. He has
recently won Soho Theatre’s annual playwriting comp-
etition, the ‘Tony Craze Award’, for his play ‘Insane
Asylum Seekers’. He is a producer at the Arts charity
Counterpoints Arts- spearheading their Pop Culture
and Social Change programme. He runs the biggest
collective of British-Arab writers in the UK: the ‘British
Arab Writers Group’ - They host and facilitate writers
rooms, talks from industry figures, and events that seek
to connect the creative diaspora and take their member's
craft to the next level. They currently have over 130
members across the UK.

A film of contrasts and divergent
realities that highlights the cost of
imperialist expansions: stolen childhoods
and deferred futures.

Sana Badri is a British-Tunisian artist.
Her motivation to create images is
primarily to build and maintain
meaningful connections with her
subjects, and foster a visual dialogue
that speaks to those inside those communities.

She has been exhibited at the V&A,
published by the V&A, elephant magazine,
OOMK zine and Huck online.

This short explores the textures of feelings
surrounding the pains and joys of diaspora,
exile, and migration

Leena Habiballa is artist and cultural worker interesed in visual/
material cultures and community filmmaking/exhibition models.
She is currently Assistant producer at Other Cinemas and a
member of the arist workers’ cooperative not/nowhere.

Dead As A Dodo (2022) lays bare the settler colonial mythology at the heart of the popular narrative of the Dodo’s extinction. By drawing on archival material and the Dodo’s apparition the film performs a sensory haunting, reviving the spaces between life and death that have been shaped by settler violence into a value-forming exercise. This work is inspired by and is in conversation with a book of poems titled “A Theory of Birds” by the Palestinian-American poet Zaina Alsous.